The Ramayana Ballet (Indonesian: Sendratari Ramayana) is a visualization and representation of the epic Ramayana saga, originally written by Valimki in the Sanskrit language, in a highly stylized dance artform. Ramayana Ballet performance combines music, dance and drama. It is usually performed without dialogue.

Originated in India, Ramayana has become a fertile source of artistic inspirations, especially in Southeast Asian nations that have traditionally been greatly influenced by Sanata Dharma civilization. Ramayana ballet or dance drama can be found in several traditions in Asia, namely as Sendratari Ramayana in Indonesia (Java and Bali), Ramakien dance in Thailand, and Reamker dance in Cambodia.
Every Friday at 7 pm.

The very essence of the Sang hyang dance is maintenance of a balance society. –Sang hyang dancers begin to act and move in a special “vocabulary of movement” in a trance state. And they dance in irregular patterns, resembling the function of the sacred broom, the Sampat. Then they take the long broom in hand and begin to dance. In this way the evil spirits lingering around the farmland will be demolished. Their arms firmly grasping the broom, rhythmically swinging from one side go the other, they continue clearing the accumulation of the threatening and potentially destructive forces. Drawing curve in the air as they transmit the cleansing power of Sampat onto the environment. Finally, their responsibility of transmitting the ritual offering to the gods and the bestowal of blessing onto the farming community are mediated.
Every Tuesday at 7 pm.

Originally based on a ritual Balinese trance dance, Western artist Walter Spies collaborated with the local dancer Limbak in the 1930s to create this unique entertainment involving a chorus of 100 men and no musical accompaniment. However, the innovations did not stop there. In 1970 famed Javanese dancer and choreographer, Sardono W. Kusumo, staged a variation of Kecak dance, introducing elements of Javanese theater traditions. This riveting rendition of a classic is a ‘must-see’ while in Ubud. Every Monday and Saturday at 7.00 pm.

Saturday: Rp350.000/person with dinner and live music

Legong Lasem Peliatan is a dance with a story about King Lasem’s intention to marry Princess Rangkesari of Gegelang. When the Princess refused to marry the King Lasem, he attacked Gegelang and encounters Prince Panji, Rangkesari’s brother in a battle. Unfortunately, he was defeated and the Princess was reunited with her love, Prabu Melayu. Its story performanced by three dancers, a solo dance, Condong, followed by two Legong dancers. This performance opened by instrumental playing, puspa raga, baris dance dan closed by oleg dance. Every Wednerday at 7.00 pm.

The show commences with Tabuh Penegak Bebarongan repertoire that is principally used as accompaniment to the Barong dance performance. The dynamic rhythmic refinements of the piece mostly involving interlocking kekotekan technique embellished with solo drum makes it distinctive to other music. Every Thursday and Sunday at 7.00 pm.